![]() The Divine Feminine may have been lost through the millennium. The Wife of God, and part of the Trinity. She discovered that inĪncient Christianity and Judaism the Holy Spirit had once been feminine Sophia Question the significance of the Divine Feminine. Mother Mary and The Holy Spirit were embodied in the painting prompted Jill to Peaceful feminine presence full of wisdom and grace. ![]() These arcs took the form of aĭove (toward right), the symbol of The Holy Spirit, which the artist sensed as a ![]() Pulsing from the heart, electromagneticĮnergy dispersed into arcs across the painting. Mary’s universal loving and healing heart. Unbidden, Jill was struck with the sense that this was Mother Under her brush the shape of a heart (toward left), emergedįrom the starlit gases. While painting the heavenly body, Jill felt the presence of The painting began with the discovery of a piece of scrap copper, 8 by 3 feet which lent itself perfectly to the copper and verdigris dominant colors in the Hubble Space Telescope image of the Carina Nebula. Named for the Greek letter, Phi signifies the mathematical golden ratio 1.618 – Unity – nothingness and everything, pure beauty. Painted on copper with hand-mixed paints formulated with mica and other earthbound stardust. Inspired by the Carina Nebula, we are brought to the inner chambers of the heart light and energy generated millions of years ago, breaking through the shadows and darkness of outer and inner space. “Phi ” spirals us to infinity beyond and within. A print of Jill’s painting “Juno” named after the Roman Goddess of fertility and the Jovian probe will also be included in the Vatican Observatory Museum’s permanent collection. Along with ‘Phi’ is an 18th century marble sculpture of the solar system (artist unknown), currently in restoration at the Vatican an original painting by noted astronomical artist Ron Miller and a spectacular sculpture “Rotazione Apparente” by Marco Bagnoli, along with particularly important astronomical images by Specola astronomers using telescopes from around the world. However, one special room directly below the Schmidt telescope is being dedicated to astronomical art. The museum is mainly dedicated to historical astronomical instruments and other artifacts. Jill’s full-scale print of her painting ‘Phi’ is now installed in the Vatican Observatory Museum. Archival Print on Metallic Canvas, 101” x 36”, after Phi, oil on copper
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